Isabella Gomez Sarmiento

Isabella Gomez Sarmiento is a 2019 Kroc Fellow reporting for Goats and Soda, the National Desk and Weekend Edition. She joins NPR after graduating from Georgia State University with a B.A. in journalism, where her studies focused on the intersections of media and gender. Throughout her time at school, she wrote for outlets including Teen Vogue, CNN, Remezcla, She Shreds Magazine and more.

On a typical sunny spring afternoon, the outdoor seating of Atlanta's Krog Street Market would usually be packed. But it's not a typical week.

As more and more people practice social distancing and stay inside in the wake of the coronavirus pandemic, the tables at Krog are completely deserted.

Most restaurant booths have large signs indicating they're either closed or only serving food to-go. But there's still people coming in and out, carrying Postmates and GrubHub bags.

The National Portrait Gallery unveiled its official portraits of Michelle and Barack Obama nearly two years ago. Since then, the gallery reports that attendance has nearly doubled.

Next summer, the portraits will hit the road to reach an even wider audience.

In Washington, D.C., dozens of people line up behind velvet ropes every day to admire artist Kehinde Wiley's interpretation of the former president. It features Obama sitting at the edge of a wooden chair, surrounded by lush foliage. Pink and white flowers are dispersed across the canvas.

On an unusually warm January afternoon, 28-year-old Icy Coomber attended a poster-making session for the fourth annual Women's March in Washington, D.C.

Unlike the friend she accompanied to the event, Coomber did not participate in any of the previous anti-Trump demonstrations. Three years ago, the first march drew hundreds of thousands of people to the nation's capital and hosted sister marches in cities around the world.